Etiketter

onsdag den 27. april 2011

INTERVIEW: SIMONE TAYLOR

Dubcnn had the pleasant opportunity to talk with Arigo Recordings’ artist Simone Taylor, who has worked with super-producers Justin Gray (Rhianna), David Jones (Babyface), Brian Cox (Destiny’s Child), and Chuckey Charles (Usher) to name a few. Her new single, “I Belong To You” is a strong testament to what she brings to music: an intriguing new perspective, with an uplifting, empowering voice. Simone Taylor exclusively sat down with Dubcnn to discuss the experience of recording her debut single with Justin Gray, what it’s like working with so many talented and accomplished producers, growing up in Oakland, California, and much, much more!

Dubcnn: You worked with multi-platinum producer Justin Gray (Rihanna) for the "I Belong To You" single, how did that collaboration come about?

I was working with an up and coming Bay Area producer who happened to be a friend of my husband’s who runs the label that I’m on. The two of them were working in the studio with some Bay Area hip-hop artists and I just sort of said that I wanted to do this song about uplifting people, which talks about being more responsible with the things that we put out there in terms of promoting positive energy. I wrote the song in all of 10 minutes and it was a really horrible song called “Deep in our Hearts,” but it was what I was feeling at the time. I have a friend who at the time was in charge of the entire major artist recording in Canada. If you were on Interscope, Universal or some other major label, and you were on tour in Canada, your label would contact her company and they would set up a studio to record at and give you the VIP treatment.

She heard the song and wanted to send it to Justin Gray because he’s a well-known, award-winning producer from Toronto, and they’re also friends. I told her it’s a horrible song and if she was going to send it to anyone, to please give them a disclaimer that I am a much better writer than this. So she sent it to him and Justin [Gray] emailed her and said that he wanted to work with me. He thought I sang great and he saw my picture on MySpace. He thought I was a cool artist to work with. She sort of hooked up our relationship and I flew to Toronto and recorded for about two weeks with him and it was probably one of the best recording experiences that I’ve ever had.


Dubcnn:
Share with us that experience of recording your debut single?

It was so chill and so awesome. He [Gray] works within a huge group of amazing producers that totally blew me away. At the time, Justin was just coming off recording with Joss Stone. He was working on songs with the Pussy Cat Dolls and The Spice Girls. For the first few days I was like why am I here? I am so not worthy (laughs).

It got to the point where a month before I was making this really crappy song to here in this major recording studio in Toronto in the snow. I had never been in snow like that before. I had seen it, walked through it a little, but never played in the snow and fallen on my butt in the snow… several times (laughs)! I was just totally in awe. It doesn’t snow in the bay, so I wasn’t ready for a real ‘winter wonderland’ at all! That experience in itself was life-changing and made me realize this is really where I want to be and what I want to be doing. Justin [Gray] is a really talented musician and producer. So professional!


Dubcnn:
Was “I Belong To You” written for anyone specifically?

(Laughs) Yes! It was written for anyone who has (or is) experiencing trials and tribulations in life. Life can be real challenging at times and there will always be moments where you want to throw in the towel, so this song was intended to get folks through those moments. On a more personal level, I wrote ‘I Belong to You’ as if I were having a conversation with my husband, so it will always hold a beautiful spot in my heart.


Dubcnn:
Working with so many well-known music producers like the aforementioned Justin Gray, as well as David Jones, Chuckey Charles, and Brian Cox - - what does that do for your confidence?

Oh I got confidence out the building! (Laughs) No seriously, it makes me feel really blessed to have worked with such great talent so early in my career. I’ve worked hard to get to where I am today. I’ve still got so much more growing to do, and so many more talented people to work with. I feel I deserve to be a force to be reckoned with, so in some ways my confidence may not be out the building, but it’s definitely out of the average person’s reach. Ha!


Dubcnn:
Having worked with those kind of iconic producers, what other producers or artists are you looking forward to collaborating with?

As far as producers go, I’d love to work with Dr. Dre. He’s so ‘in the pocket’ it’s not even funny! Definitely a big fan… I’d also love to work with Raphael Saadiq (Joss Stone, D’Angelo), Sir Jynx (N.W.A., Dr. Dre), Jimmy Jam & Terry Lewis (Janet Jackson, Chante Moore), Andre 3000 (OutKast, Gwen Stefani), The Neptunes (Jay-Z, Kelis, Beyonce), Josh Lopez (Estelle), the list goes on and on…
Artists… definitely would love to collab with Prince. I am a HUGE fan! I love me some PRINCE! Janelle Monae, Alicia Keyes, Beyonce, Lauryn Hill, Jay-Z, Bjork, Maxwell, just to name a few.


Dubcnn:
Tell me about Arigo Recordings and how you got down with them..

Well, Arigo Recordings is a boutique indie label I am part-owner of in the Bay. My hubbie is CEO of the label and also one of the founders of it along with a few other notable Bay Area folks. My husband once said, “…there’s got to be a point at which someone says, ‘Enough is enough!’ and that’s where great music begins.” The label was started out of frustration with the industry and the lack of real heart and soul being put into music today. We are all tired of seeing lackluster performances and paying for over-priced tickets to see artists who just care about collecting their next paycheck. That’s why you see so many albums still sitting on record shelves. It’s not right, and we all know it. Ultimately, it was a no-brainer to have my big ass voice on the label’s roster. Not to mention the CEO and I go way back (Laughs).


Dubcnn:
Tell me about your experience growing up in Oakland.

It was real cool! Oakland has its good parts and its bad, just like any other city. It was even the 3rd most dangerous city in America for a number of years during the 90’s. For instance Keyshia Cole is from East Oakland, whereas I’m from North Oakland. Both are parts of Oakland, but in a number of ways very different. Typical neighborhood stuff though that you see all over the world… but I love Oakland. I love the people, I love the culture, and I love the camaraderie we have.

I was definitely privileged to a lot of different things other young African-American girls weren’t. I am blessed to grow up the way I did. Both of my parents are educated, I went to great schools, always felt love in my household, and never needed for anything. I didn’t grow up with a silver spoon or anything, but I can say I had a great childhood. That’s the thing about the Bay, there’s a lot of diversity here, so you can have multiple experiences all in one big ‘melting pot.’


Dubcnn:
Going back to the beginning, how did you even get started in the music business?

I started playing classical music when I was six. I remember as early as four or five my dad and I would be driving around town and he would put on old Motown stuff, Bach, Billie Holiday, and Donny Hathaway cause my dad was a huge fan. He would make me pick out the instruments that were playing on the tracks. At a young age, I was learning the fundamentals of music and what a horn section sounds like, or what the Jazz Scale sounds like. He had me learning string arrangements and the whole nine, man! My dad is a bit of a music freak and is a big jazz enthusiast. He was trying to sort of mold I guess a miniature him musically, at a young age (laughs). That sort of sparked my initial interest in music. And then once I started playing it, it was a done deal for me. I’m a perfectionist, so as a kid and teenager I spent most of my days practicing music in my room. Music superseded everything… hanging out, playing games with friends, sometimes even homework [not recommended for kids!] (laughs). When I got into high school, I knew I could sing, but I didn’t want anyone to really know because even back then I had a BIG voice, and didn’t know the strength of it. I didn’t start showing off my skills until I filled in for a back-up singer who flaked on a studio session I was at in San Francisco while in college. The rest is history.


Dubcnn:
Who were some of your early influences coming up?

Tina Turner 100%. She’s amazing and such an icon! I’ve watched countless hours of her performing with Ike back in the day. Listening to the way she projects her voice, watching her sing on pitch and dance in heels at the same time… gives me goose bumps. She is dope, hands down!
I also grew up listening to Donny Hathaway, Patti LaBelle, Janet Jackson, Mavis Staples, and as I mentioned earlier Prince. They’re all early influences for me in one way or another.


Dubcnn:
How would you describe your music, sound and sonic personality?

I’m an ‘ol School entertainer and an all around ol’ soul. I sing about my life as a woman… the ups and the downs I face. I sing about my man, I sing about love, hate, partying, everything. I sing from the heart and my soul comes out in my voice. That’s why folks say I have such a ‘warm’ voice. I can’t help it, and I wouldn’t change it.


Dubcnn:
Being from Oakland, have you ever worked with Too $hort or E-40?

I’ve never worked with either one of those guys, although 40 and I have some mutual friends. It’s a real small music community in the Bay, so everyone knows everyone. I’d love to work with them in some capacity… they’re definitely Bay Area heroes. If we can throw Hammer in the mix, it’s a wrap (giggles)!

Dubcnn:
What project or projects are you working on now, any major collaborations?

I’m in ‘kill mode’ working on my debut album. It’s called “Under the Knife.” It’s kind of a play on words, [you’ll figure it out when it drops]. I won’t give you too much detail about it but it’s a concept album. It is gonna be a dope album that has an updated throwback feel to it. You’ll be able to bump it in your car, but also unwind to it. I’m morphing into the whole conceptual attitude right now. I’m a big researcher and have to know what I’m talking about before I begin a project. Everything from fashion, to hair, to make-up, to sound and arrangements, etc. is going to be a major part of this concept. It’s going to be wild, for sho’! There may be some major collabs on the album, but I’m not going to ruin the surprise for your readers (laughs).


Dubcnn:
Speaking of fashion, are there any labels you are digging right now?

I love almost anything Jean Paul Gaultier does. His clothes make me feel very strong and sexy like a comic book heroine. I also love DSquared, The Blondes, McQueen, Kevan Hall, and of course Louis Vuitton. I’m in love with everything that Ted Rossi comes out with! Basically anything that makes me look fly.


Dubcnn:
What fashion must-haves do you splurge on?

Handbags and lingerie. I love the fact that a great handbag can change your look from school teacher, to sex kitten, and vice versa. With the right handbag and shoes anyone can be a show-stopper! As far as underwear goes, I wear what makes me feel great and sexy. Being comfortable in my own skin is very important to me, so what I put against my skin is important too. I hate uncomfortable bras or underwear that don’t fit properly. I’d rather not wear anything if I’m going to spend all day adjusting the ‘girls.’ So if I have to spend extra on great fitting bras and panties, best believe I will.


Dubcnn:
Many artists today have a variety of means to establish their brand (i.e. clothing lines, shoe lines, colognes/ perfumes, books, etc.). Which branding opportunities would you most likely see yourself doing in the future?

I’d love to have my own handbag and shoe line in the future. I think bags and shoes are universal and can be worn by anyone. They’re great because you don’t need to be a specific size to buy a bag or fit into a pair of shoes. Bags and shoes are always at the top of my list when I need a little retail therapy.


Dubcnn:
Getting back to your music, what are some of the big things you've accomplished so far, musically?

Finding my voice as an artist. I think it’s truly a luxury these days to be able to make the type of music you love and are inspired by. Some artists go their whole career looking high and low for their voice, and never find it. I found it early, and consider that a major accomplishment in the industry. I’ve also had the opportunity to work with a number of talented people who are heavy-weights in the ‘game’ and still manage to make honest music. I’m sure the career accolades are just around the corner for me.


Dubcnn:
How are you prepared to reach the mainstream audience in today's market with the majority of both the industry and the consumers carefully watching their money spent during these times of recession?

My strategy for reaching a mainstream audience is to give consumers and the industry what they’re missing… Great Music and Entertainment. It’s about supply and demand right now. There’s a short supply of great music out there. However, there’s a strong demand for music that’s inspiring and fresh, and yet there is a void to be filled. People still want to be entertained, and since everyone is holding onto their pocket-books so tightly, the bar is set pretty high and you have to be something great for people to buy your music. This economic climate can only strengthen us, in my opinion. It really forces artists like me to make the best possible music we can come up with and grind until it’s perfect. This is what separates the mediocre from the sensational, for real. It’s how Motown was created… its how Michael Jackson became such an unstoppable force… it’s what helped the Beatles change the way we make music. My grandmother used to tell me that ‘if you’re GREAT, the world can’t help but to hear you.’


Dubcnn:
You come across as being very confident. Are you truly this confident when it comes to your music?

Yes and No. Yes, I’m confident in my ability to write great songs, sing well on tracks, and put on a fantastic show. However at the end of the day it’s really up to the consumers and fans to be the judge of whether my efforts are good or not. Don’t get it twisted… I’m an artist and I’m sensitive. I can only put myself out there and hope for the best.


Dubcnn: Where can readers catch up with you at?

Dubcnn readers can follow me on twitter or check me out on MySpace. You can also check out the Arigo Recordings family at our official website.


Dubcnn:
The music industry is so competitive, what separates you from all the other female singers out there?

The music industry may be very competitive, however what separates me from most is I’m an actual musician, and not just a singer. Living, breathing, eating, and drinking my music is what makes me stand out in the rows of R & B singers.


Dubcnn:
Do you have any lasting words for our readers?

Yes I do. Please support your local public school art and music programs. These programs help keep our kids in school and off the streets, inspire them to achieve greatness, and helps instill a sense of accomplishment in their lives. Also, don’t forget to download my hit single, I Belong to You, on iTunes. Thank you for supporting my music, and be on the lookout for my debut album, Under the Knife, dropping Spring 2010.

torsdag den 21. april 2011

Beyonce's 'Run the World (Girls)' Single to Hit iTunes Today

Run the World (Girls)," the lead single from Beyonce`s forthcoming fourth album, is set to hit iTunes today (Apr. 21) after a full version of the song leaked on Monday.


The song -- originally thought to be titled "Girls (Who Run the World)" -- will also make its radio debut today at 8:00 am EST. "Run the World," which uses a sample of Major Lazer`s "Pon De Floor," was co-written by Terius "The-Dream" Nash and Beyonce, and produced by Switch with additional production by Beyonce and Shea Taylor. Diplo, who serves as Switch's partner in Major Lazer, is not credited on the song.

Before "Run the World (Girls)" officially premieres today, Beyonce has released a 17-second teaser trailer for the song. The short clip shows a trio of stark images -- a barbed wire fence as dawn breaks, a broken-down car with the word "Revolution" painted in red, and a crumpled-up newspaper -- before the pop star appears on top of a horse.

lørdag den 16. april 2011

Cee Lo Green goes long, gets cut off

(maybe during a cover of 'Don't Stop Believin'')

(Los Angeles Times) Cee Lo Green started his main stage set late at Coachella on Friday evening. And he apparently played over his set time, because after he rocked his megahit " ... You" and launched into what sounded like a cover of "Don't Stop Believin'," his sound was suddenly cut at 5:40 p.m. What appeared at first to be a technical glitch turned out to be intentional. His band continued to play for a minute or so more but Cee Lo shook his head and walked off stage as the confused crowd dispersed.

"I know he went on late, but they should have at least let him finish his set," said a fan as she walked away.

-- Jessica Gelt

[Updated 6:47 p.m.: Gerrick Kennedy saw the entire Cee Lo set, and has this to add:

Showing up late to your own gig at Coachella only gets you so far. For Cee Lo, it got him nothing but grief.

Restlessness and anger quickly spread through the swarm of fans that had convened to see the singer on the main stage Friday afternoon. With the heat pounding the crowd, it wasn’t long before profanity-laced queries of when he’d show started to ring out. And then came the boos.

“If we’re coming to your show and you don’t even show I’m like ... you!,” a shirtless fan sang to the tune of Cee Lo's breakout hit. After nearly half an hour, and plenty of walkouts later -– Green arrived.

“Sorry guys, I just landed. Y’all still gonna party with me? I only have 20 minutes,” Green said. “It ain’t my fault. They should have ... given me a better time slot.”

The statement got him nowhere, as people piled out and shot him single-fingered gestures. It was a drastically abbreviated set. He was able to tackle five songs, including hits “Crazy” and his signature tune, which took on a new meaning.

“It’s all my fault. Blame me,” and then his sound was cut, leaving the audience -– and a confused band -– to attempt to finish what was thought to be an encore (a cover of Journey's “Don’t Stop Believin’”). Green exited the stage amid boos, clearly angry, as the band played on -- though no one could hear a note.


torsdag den 7. april 2011

Jay-Z Launches New Pop Culture Site Life + Times

Rapper's latest venture also shows off his taste in high-end products

(rolling stone magazine) Jay-Z launched Life + Times – a new lifestyle website showcasing the rapper's taste in high-end cars, clothes and gadgets – yesterday. It's not far off from his friend Gwyneth Paltrow's GOOP newsletter, but with an aesthetic more keyed into the interests of ambitious and upwardly mobile young men – fashion and design posts are mixed in with items about sports and music.

This is a good call. Whereas Paltrow's site is routinely mocked for being out of touch with the reality of women who aren't fabulously wealthy, Life + Times makes a point of keeping things at least somewhat down to earth despite all the expensive stuff that is getting Hov's seal of approval.

Photos: Jay-Z and Beyonce - Hip-Hop Royalty

Life + Times is only the latest part of Jay-Z's business empire, which includes stakes in the 40/40 Club chain, the New Jersey Nets basketball franchise, Rocawear and the Roc Nation label. Though the site is not likely to become a major revenue source for the rapper, it is a potentially major step toward expanding upon his established "brand" and moving him toward an Oprah-like level of cultural influence.

lørdag den 2. april 2011

Kid Rock and Sheryl Crow to tour together

Kid Rock is taking Sheryl Crow -- his duet partner on the 2002 hit "Picture" and on "Collide," the new single from his 2010 "Born Free" album -- on the road this summer as a special tour guest, with a potential live album to follow. The duo will play 27 shows together starting July 2 in Cincinnati and finishing Sept. 3 in Houston.


"We've been talking about doing something like this for a long time," Rock tells Billboard.com. "You talk about things, and you never know if it's going to come to light, but we've always wanted to tour together."

Crow adds, "Any day, any hour of the day or night, if [Rock] calls me I'm totally there. I'm such a huge fan of his, and I love the guy. He's a great songwriter, and I feel like our collaboration together is always easy and it just...works."

Rock says the two will definitely join forces during the dates, and probably for more than just "Picture" and "Collide" (whose recorded version features Bob Seger on piano). The two also performed Free's "All Right Now" at Rock's 40th birthday concert in January at Detroit's Ford Field. Meanwhile, Rock adds that he and Crow "have been wanting to do a live record together, forever. If we do our hits -- 'Picture' and, if the clouds align and it becomes [a hit], 'Collide' -- and we do some fun covers we've been doing throughout the years and throw them on an album, that'll be fun for people to hear." The video for "Collide" is in the Top 20 at both VH1 and CMT.

Rock and his Twisted Brown Trucker band's summer tour also includes a pair of dates -- July 15 at the Chippewa Valley Music Festival in Cadott, Wisc., and July 27 at the California Mid-State Fair in Paso Robles -- that will not include Crow. Rock says he's also planning to do "something special" in his home town of Detroit this summer but has not determined what that will be yet.

Rock embarks on his Chillin' The Most Cruise on April 7 from New Orleans and plays on Thackerville, Okla., and at the New Orleans Jazz & Heritage Festival before starting a Canadian tour on May 21. Crow starts a U.S. headlining tour May 8 in Rochester, Minn., that will run up to June 30.

Kid Rock's Born Free summer tour dates include:

July 2: Cincinnati, Ohio (Riverbend Music Center) W/ Sheryl Crow
July 3: Milwaukee, Wisc. (Summerfest) W/ Sheryl Crow
July 6: Pittsburgh, Pa. (First Niagara Pavilion) W/ Sheryl Crow
July 7: Hartford, Conn. (The Comcast Theatre) W/ Sheryl Crow
July 9: Boston, Mass. (Comcast Center) W/ Sheryl Crow
July 10: Hershey, Pa. (Hershey Park Pavilion) W/ Sheryl Crow
July 12: Holmdel, N.J. (PNC Bank Arts Center) W/ Sheryl Crow
July 13: Buffalo, N.Y. (Darien Lake) PAC W/ Sheryl Crow
July 15: Cadott, Wisc. (Chippewa Valley Music Festival)
July 16: St. Louis, Mo. (Verizon Wireless Amphitheatre) W/ Sheryl Crow
July 22: Cheyenne, Wyo. (Cheyenne Frontier Days) W/ Sheryl Crow
July 23: Minot, N.D. (North Dakota State Fair) W/ Sheryl Crow
July 26: Sacramento, Ca. (Sleep Train Amphitheatre) W/ Sheryl Crow
July 27: Paso Robles, Ca. (California Mid-State Fair)
July 29: San Jose, Ca. (Shoreline Amphitheatre) W/ Sheryl Crow
July 30: Irvine, Ca. (Verizon Wireless Amphitheatre) W/ Sheryl Crow
Aug. 2: San Diego, Ca. (Cricket Wireless Amphitheatre) W/ Sheryl Crow
Aug. 5: Phoenix, Ariz. (Ashley Furniture HomeStore Pavilion) W/ Sheryl Crow
Aug. 6: Albuquerque, N.M. (Hard Rock Casino Presents: The Pavilion) W/ Sheryl Crow
Aug. 16: Cleveland, Ohio (Blossom Amphitheatre) W/ Sheryl Crow
Aug. 19: Indianapolis, Ind. (Verizon Wireless Music Center) W/ Sheryl Crow
Aug. 20: Chicago, Ill. (First Midwest Bank Amphitheatre) W/ Sheryl Crow
Aug. 22: Bristow, Va. (Jiffy Lube Live) W/ Sheryl Crow
Aug. 23: Virginia Beach, Va. (Farm Bureau Live) W/ Sheryl Crow
Aug. 25: Raliegh, N.C. (Time Warner Cable Pavilion) W/ Sheryl Crow
Aug. 27: Charlotte, N.C. (Verizon Wireless Amphitheatre) W/ Sheryl Crow
Aug. 28: Atlanta, Ga. (Aarons Amphitheatre at Lakewood) W/ Sheryl Crow
Sept. 2: Dallas, Tex. (Gexa Energy Pavilion) W/ Sheryl Crow
Sept. 3: Houston, Tex. (Cynthia Woods Mitchell Pavilion) W/ Sheryl Crow

Melanie Fiona Talks 'MF Life,' Overcoming 'One-Hit Wonder' Status

Melanie Fiona has arrived at the tough part of her sophomore album, "The MF Life" -- choosing which songs are going to be on it.

(billboard.com) "I would say we're narrowing down from 20 songs right now, and I'm looking to have 10 to 12 on the album," the Canadian-born Roc Nation singer tells Billboard.com about the follow-up to 2009's "The Bridge." "It's a tough thing because I'm in love with all of the songs, and every song has its own life and its own leg to stand on. I think it's just about making the correct body of work so when people listen from track one to track 11 they feel satisfied and there's a through-line story and the music flows."

However, Fiona adds, "The beautiful thing about good music is that it never expires so the song that may not make this album may have a life in movies and television and possibly album three. It's tough, but it's a good problem to have."

Fiona has been working on "The MF Life," which is due out this summer, with "The Bridge" collaborators Andrew Martin and Jay Fenix while also adding "dream producers such as John Legend, Jack Splash, Jerry Wonder and Salaam Remi. She's been previewing songs such as "Change the Record" and "Rock Paper Scissors" during her current stint on BET's Music Matters II Tour, while "Gone and Never Coming Back" has also been released as a single.


Video link: Gone and never coming back


"People want to know why I'm going with a ballad first [single] this time around," Fiona notes. "I earned my first Grammy nomination for 'It Kills Me,' and I took that as a great gauge for an identity of my career, and that was being respected and recognized as a singer, a really good singer, a powerful singer. And with 'It Kills Me,' I recognized what that did for people, so coming back this time I knew I wanted to go just as hard vocally, just as big -- bigger emotionally -- and continue to tell those stories that people connect to. And that's what 'Gone and Never Coming Back' is."

After the success of "The Bridge" and its several singles, Fiona says there is some concern about "the sophomore jinx" -- not so much internally, however, as from the outside.

"People are always like, 'Well, what is she doing to do next?' and it's tough when you hear people saying, 'Well, she's probably just a one-hit wonder,' " Fiona acknowledges. "The longer you take to come back, the more you hear that, and you want to stand up with a megaphone and say, 'I'm not dead! I'm coming back!' But I feel a lot stronger. I've been doing some great writing, and I do feel my fans are loyal and genuine and they're definitely in it for the music. I feel like as long as I stick to the motto of making good music, I'm sure I'll have some faithful followers."

Fiona wraps up her current tour in mid-April, and she's already looking ahead to taking "The MF Life" on the road after it's release. "There's a couple people that are going out this year that I would love to tour with," she notes, citing Cee Lo Green and Mary J. Blige. "But nothing is planned as of now. And maybe I'll have a huge single and a huge album myself and I'll be headlining my own tour. The year is still early, and I'm open for whatever opportunities come my